Composer Stephen Sondheim and book writer John Weidman had a field day when they created Assassins, an imaginative parable which finds would-be and real presidential assassins, such as Lee Harvey Oswald, Giuseppe Zangara, Lynette “Squeaky” Fromme and John Wilkes Booth, among others, as characters in a carnival show. With a stellar cast that included Victor Garber, Terrence Mann and Annie Golden, it was first presented for a limited run of 71 performances at Playwrights Horizons, on December 18, 1990, when this recording was made.
The shooting gallery at a carnival. The assassins enter one by one and are encouraged by the Proprietor to solve their personal problems by picking up a gun-Everybody's Got The Right.
The Ballad Of Booth is introduced by the Balladeer, who throughout the show sings us our history and drifts through assassinations as an almost-professional witness to American catastrophe. He observes John Wilkes Booth in the hours following the shooting of Abraham Lincoln as Booth takes shelter in a tobacco barn with his confederate David Herold.
Miami, Florida. February, 1933. An assassination attempt is made on the life of Franklin D. Roosevelt by a thirty-three-year-old immigrant, Giuseppe Zangara. How I Saved Roosevelt alternates between a group of bystanders speaking into radio microphones and the would-be assassin Zangara in the electric chair, moments before his execution. (Both the statements of the five bystanders and Zangara's observations are based on fact.)
The Gun Song begins with McKinley assassin Leon Czolgosz contemplating the meaning and power of a recently acquired weapon. He is joined by Booth, Garfield assassin Charles Guiteau and Sara Jane Moore, who attempted to assassinate President Gerald Ford. At the end of the song they leave Czolgosz standing alone, determining his course of action.
The Ballad Of Czolgosz, presented by the Balladeer, tells the story of the assassination of President William McKinley during a public reception at the Pan-American Exposition in Buffalo, New York, in 1901. Czolgosz wrapped a handkerchief around his gun so that he would appear to have injured his hand and stood quietly in line until he was face to face with the President.
Unworthy Of Your Love is sung by John Hinckley, who tried to assassinate President Ronald Reagan, and Lynette "Squeaky" Fromme, who tried to assassinate President Gerald Ford. ("Jodie" refers to movie actress Jodie Foster, and "Charlie" to mass-murderer Charles Manson.)
The Ballad Of Guiteau finds Charles Guiteau, President James Garfield's assassin, standing at the foot of the gallows. He starts by reciting a poem, I Am Going To The Lordy, which (in historical fact) he had composed that very morning. The Balladeer describes the trial and subsequent execution as Guiteau, an irrepressible optimist, cakewalks up and down the gallows steps.
All of the assassins join together for Another National Anthem, not as angry individuals but as an embryonic group with a common purpose.
November 22, 1963. Lee Harvey Oswald, a stock boy in the sixth floor store-room of the Texas School Book Depository, is interrupted as he prepares to commit suicide.
In front of the famous photograph of Jack Ruby shooting Oswald, Everybody's Got The Right returns by way of summary and in conclusion.
Proprietor: William Parry
Leon Czolgosz: Terrence Mann
John Hinckley: Greg Germann
Charles Guiteau: Jonathan Hadary
Giuseppe Zangara: Eddie Korbich
Samuel Byck: Lee Wilkof
Lynette “Squeaky” Fromme: Annie Golden
Sara Jane Moore: Debra Monk
John Wilkes Booth: Victor Garber
Balladeer: Patrick Cassidy
David Herold: Marcus Olson
Bartender: John Jellison
Bystanders: Joy Franz, Lyn Greene, John Jellison,
Marcus Olson, William Parry
Emma Goldman: Lyn Greene
Fairgoers: Lyn Greene, John Jellison, Marcus Olson,
William Parry, Joy Franz, Michael Shulman
James Garfield: William Parry
James Blaine: John Jellison
Hangman: Marcus Olson
Warden: John Jellison
Billy: Michael Shulman
Gerald Ford: William Parry
Lee Harvey Oswald: Jace Alexander
Reviews for this Album
Review
Another one that makes me cry every time. This is my favorite Sondheim and the cast on this recording is perfection — the revival was strong, too, but several of these performances just can't be touched.