Betty Comden and Adolph Green teamed with composer Jule Styne to create one of the blockbusters of the 1956-57 season, Bells Are Ringing, starring Judy Holliday who gave a glowing performance as a telephone service operator who meddles in the life of her clients. The amusing plot, memorable score, and Jerome Robbins’ exuberant staging turned the cheerful musical into a qualified hit. The show opened at the Shubert on November 29, 1956, for a run of 925 performances, and yielded one great showstopping number in the classic “The Party’s Over,” which added a poignant note in the overall playful tone of the production, and became a signature song for the actress, also a Tony® winner.
First LP release: December 11, 1956
After the “Overture,” eight dejected girls lament the lack of telephone calls in Bells Are Ringing; in replay, a vivid “Advertisement for Susanswerphone” describes the benefits of a telephone answering service. This service is run by Sue, with the assistance of her cousin Ella Peterson. Ella has a deplorable tendency to get involved in the lives of the customers as she takes and delivers their messages. Indeed, she has fallen in love with one of them, Jeff Moss, whom she has never even seen. In “It’s a Perfect Relationship” she describes her feelings. Jeff is a writer who is having trouble getting to work on his next play (“On My Own”) and Ella determines to assist him. In the meantime, Sue has fallen in love with Sandor, the head of Titanic Records, who sets up a branch office in her establishment. Actually, this is a book-making concern with a fiendishly ingenious code which Sandor describes to his assistants (“It’s a Simple Little System”) in which horses, race tracks and bets are cleverly hidden behind composers’ names, opus numbers and quantities of copies ordered by the alleged buyers. Police are already monitoring Susanswerphone, suspecting that it is a front for a vice ring, and Ella has difficulty eluding a policeman who is following her (“Is It a Crime?”).
Nevertheless, she gets to Jeff’s apartment, fires him with enthusiasm, and helps him get started with his new play. She also introduces him to the friendliness of people (“Hello, Hello There!”), and he exalts in his new acquaintance (“I Met a Girl”). As their feelings grow warmer (“Long Before I Knew You”) he invites her out for the evening, and a friend teaches her the cha-cha (“Mu-cha-cha”) in case Jeff should take her dancing. Meeting her in Central Park, he explains how he has grown to love her (“Just In Time”), and takes her to a glittering party, where Ella finds herself at a loss in the conversation (“Drop That Name”). Deciding that she cannot live up to Jeff’s status, she sadly steals away (“The Party’s Over”). Meanwhile, Sue and Sandor plan a trip abroad (“Salzburg”) as he tries to borrow money from her to cover some racing losses.
Two other subscribers whom Ella has befriended meet the despondent Jeff in a nightclub, where the floor show consists of songs written by a musical dentist (“The Midas Touch”), and discover that her good works have helped them all; none of them knows that she works for Susanswerphone. They set off in search of her, and the police close in on the bookies. Just as she has decided to run away (“I’m Goin’ Back”), Ella and Jeff are reunited as the curtain falls on the finale.
Sue: Jean Stapleton
Gwynne: Pat Wilkes
Ella Peterson: Judy Holliday
Carl: Peter Gennaro
Inspector Barnes: Dort Clark
Francis: Jack Weston
Sandor: Eddie Lawrence
Jeff Moss: Sydney Chaplin
Larry Hastings: George S. Irving
Telephone Man: Eddie Helm
Ludwig Smiley: Frank Milton
Charles Bessemer: Frank Green
Dr. Kitchell: Bernie West
Blake Barton: Frank Aletter
Another Actor: Frank Green
Joey: Tom O'Steen
Olga: Norma Doggett
Man from Corvello Mob: John Perkins
Other Man: Kasimir Kokich
Carol: Ellen Ray
Paul Arnold: Steve Roland
Michelle: Michelle Reiner
Madame Grimaldi: Donna Sanders
with Pam Abbott, Joanne Birks, Urylee Leonardos, Jeannine Masterson, Marc Leon, David McDaniel, Paul Michael, Julian Patrick, Ed Thompson, Gordon Woodburn; also Phyllis Dorne, Patti Karr, Barbara Newman, Nancy Perkins, Marsha Rivers, Beryl Towbin, Anne Wallace, Doria Avila, Frank Derbas, Don Emmons, Willy Sumner, Ben Vargas, Billy Wilson
Reviews for this Album
Review
This is another of my favorite shows from the 50s.I loved it then and still remember Judy Holidays' unforgettable performance.Still a great cast album after 54 years.
Review
The notes don't mention this, but "Bells Are Ringing" was the very first Original Broadway Cast album recorded in stereo. Not the first one released in stereo - that honor belongs to "West Side Story." How lucky we, the listeners, are that so many great scores were preserved in such wonderful sound!
Review
Great score and performances make for a great show.
Review
My original cast album (cover features Holliday in a casual jacket with powder blue scarf) has a slower, more emotional version of "The Party's Over" which I didn't realize for a long time. Not sure how that happened but the entire score is a treasure. Judy Holliday was just fabulous and her career was much too short.