A musical parable loosely based on the Gospel according to St. Matthew, set against a modern backdrop, Godspell was the brainchild of John-Michael Tebelak, and upcoming composer-lyricist Stephen Schwartz. It opened at the off-Broadway Cherry Lane Theatre, on May 17, 1971, and instantly became the talk of the town; so much so, in fact, that it was moved to the larger Promenade Theatre on August 10, 1971 to accommodate the demand for tickets. Five years later, it transferred again, this time to the Broadhurst Theatre on Broadway, where it arrived on June 22, 1976. By the time it closed after another nine years, the show had accumulated a total of 2,645 performances. A London version, which came to the Wyndham’s Theatre on November 17, 1971, likewise enjoyed a long run of 1,128 performances.
A Glance Back Forty Years to the Creation of Godspell
It was a chilly evening in March, 1971. The original version of Godspell, conceived and directed by John-Michael Tebelak and with a cast of students from Carnegie-Mellon University, was playing off-off-Broadway at Café La Mama. Stephen Schwartz, who had recently also been a student at Carnegie-Mellon, was deeply and pleasantly impressed. He consented that night to supply a musical score in anticipation of the proposed move of the show to a larger venue.
Godspell already had a little music, some from the Episcopal Hymnal, some written by the band or cast members, but it wasn’t structured as a musical until Schwartz reshaped it for the May opening off-Broadway. He wrote new music for the hymns, set parts of the play’s text, and added songs of his own. (One of the original songs, “By My Side,” by cast member Peggy Gordon and her CMU friend Jay Hamburger, was so effective it was never replaced.) The new show was a hit, and the Original Off-Broadway Cast Album was recorded – not in the traditional “musical theatre” fashion, but as a pop album.
Not only did Godspell win the Grammy® for Best Show Recording, but it “crossed over” and became a Billboard-charted best seller. Bell Records released the song “Day by Day” as a single, and it climbed into the top ten – one of the very few times since the early ’60s that a hit single has come directly from a cast recording.
The records helped to make Godspell an even bigger hit. A movie version was made (though it was difficult to translate such a theatrical and audience-interactive work to the screen), and soon there were as many as ten companies playing the show simultaneously around the United States. Additional productions were mounted in London, Paris, Australia, South Africa, and Germany. Forty years later, Godspell is still performed in theatres, schools, and churches all over the world.
Stephen Schwartz remembers the genesis of Godspell in his liner notes in the album booklet of this new 40th Anniversary release.
David Haskell
Stephen Nathan
Robin Lamont
Gilmer McCormick
Joanne Jonas
Lamar Alford
Herb Braha
Peggy Gordon
Jeffrey Mylett
Sonia Manzano
Steve Reinhardt
Richard LaBonte
Jesse Cutler
Victor Garber
Lynne Thigpen
Jerry Sroka
Katie Hanley
Keyboards: Steve Reinhardt, Paul Shaffer, Stephen Schwartz
Harp: Corky Hale
Acoustic and Lead Guitar, Bass: Jesse Cutler
Rhythm Guitar, Bass: Richard LaBonte
Bass: Steve Manes
Guitar: Don Thomas
Trombones: Wayne Andre, Mickey Gravine, Allen Raph
Strings: Elliot Rosoff, Irving Spice, Bira Haas, Norman Carr, Lou Stone, Anahid Ajemian
Timpani: George Devins
Drums, Percussion: Ricky Shutter
Musical Arrangement and Direction by Stephen Schwartz
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