A Greco-French soufflé, The Happiest Girl in the World took Aristophanes's classic Greek comedy, Lysistrata, and set it to the music of Jacques Offenbach, France’s equivalent to Sir Arthur Sullivan (of Gilbert and… fame), with E.Y. Harburg providing the clever lyrics. In their book, joyfully adapted and refitted to conform to Broadway standards, Fred Saidy and Henry Meyers told the story of the wily Athenian wife, Lysistrata, tired of waiting for her warring husband and inspired by the goddess Diana, who unites all the other women behind the simple concept of refusing their men’s amorous advances until they agree to live in peace. With Janice Rule, beguiling as Diana, and Bruce Yarnell as the dashing warrior, Kinesias, the musical opened at the Martin Beck Theatre on April 3, 1961. But audiences came mostly to see Cyril Ritchard, in two different roles (the Chief of State and Pluto), who delivered with his usual deadpan some of the sauciest lyrics this side of Cole Porter, notably in a ditty titled “Never Trust a Virgin,” which became one of the show’s highlights. In a season marked by the creation of several major hits, The Happiest Girl in the World was too lightweight to face the competition, and closed after 97 performances.
1st LP release: April 17, 1961
In ancient Athens the Olympic Games draw to a close, and the audience responds with cheers for the hero as the winner is crowned with laurel. At the same time, another hero appears, the victorious Kinesias (Bruce Yarnell), who has triumphed over the Spartans. He is honored by the Chief of State (Cyril Ritchard) and the populace in “The Glory That Is Greece.” When Kinesias at last arrives at his home, his wife Lysistrata (Dran Seitz) tells him that she is “The Happiest Girl in the World.”
But before they have spent even five minutes together, the Chief marches in to “The Greek Marine” hymn to tell Kinesias that war has broken out again. Lysistrata is both angry and sorrowful when he is gone, as she wonders, “Shall We Say Farewell?” and calls on the gods to end war.
Meanwhile, up on Olympus, the gods are distressed by her pleas. Jupiter admits that only Pluto, god of the nether regions, has the power to cause wars. Pluto (also Cyril Ritchard) arrives in a burst of flame and cautions them to “Never Be-Devil the Devil.” He announces his intention of continuing to make trouble on the earth, and then disappears. Diana (Janice Rule), the chaste goddess of the moon, begs her father Jupiter to send her to earth as a peacemaker. She is sympathetic toward earthlings and their peculiar passion for love, “Whatever That May Be.” Jupiter reluctantly agrees to let her go, as the gods cry “Eureka!”
On earth, Diana inspires the sleeping Lysistrata with the idea that women must refuse their favors until men agree to keep the peace. In the Agora, Lysistrata convinces the women of Athens of her plan, and the women take “The Oath,” to Diana’s delight.
Uncle Pluto arrives to tell Diana she must learn more about life than she has thus far seen; surprisingly he exhorts her to virtue, but with his own twist, in “Vive La Virtue!”
The brief war ends, and Kinesias again returns to Lysistrata (“Adrift on a Star”). Then war erupts again. Like the other women of Athens, Lysistrata nearly forgets her vow, but a sharp reminder from Diana brings her to her senses, and she leads the women in capturing the Citadel, where they lock themselves in. The war is called off, but the women remain adamant. The distraught men, led by the Chief of State, engage in strenuous exercise and work to take their minds off their misfortune in “That’ll Be the Day.” The women in the Citadel are no less lonely, as they ask, “How Soon, O Moon?” will the men come to their senses? The wily Pluto disguises himself as a shepherd and tries to break up the strike; he beguiles the sentinel, Myrrhina, with the “Love-Sick Serenade,” but is unsuccessful. When Kinesias entreats Lysistrata to return to him for “Five Minutes of Spring,” she refuses him.
The women learn that the Persian courtesan Rhodope is coming with her girls to comfort the men. They capture and imprison the entourage, and Lysistrata disguises herself as Rhodope and sets forth to make a fool of Kinesias. Pluto, meanwhile, continues to make trouble; his advice to the women is “Never Trust a Virgin.”
Lysistrata finds Kinesias and lures him into asking her to live with him; as an honest courtesan, though, she tells him she could never be honestly his. Kinesias suddenly recognizes his wife, but before they can be reconciled, the Chief of State arrives with the summons to another war. But the Spartan women have used the same stratagem as the Athenian girls, and the Spartan men ask for a lasting peace. The Athenians agree, and husbands and wives are reunited. Diana returns happily to Olympus, and only Pluto is disconcerted.
Kinesias: Bruce Yarnell
Chief of State, Pluto: Cyril Ritchard
Lysistrata: Dran Seitz
Diana: Janice Rule
Sentinel: Nancy Windsor
Myrrhina: Lu Leonard
Book by Fred Saidy and Henry Myers
Story by E.Y. Harburg, based on Lysistrata by Aristophanes
Lyrics by E.Y. Harburg
Music by Jacques Offenbach, adaptation by Robert DeCormier and Jay Gorney
Orchestrations by Robert Russell Bennett and Hershey Kay
Musical direction and vocal arrangements by Robert DeCormier
Dance arrangements by Gerald Alters
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