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The Mad Show – A New Musical Revue Based on MAD Magazine

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    Release Date: August 9, 2011
    About The Mad Show – A New Musical Revue Based on MAD Magazine:

    Before there was South Park and The Book of Mormon, there was Mad Magazine, and The Mad Show, a genuinely hysterical revue which innocuously opened at the off-Broadway Theatre de Lys, in New York City, on January 9, 1966. The show was the brainchild of Larry Siegel and Stan Hart, who had conceived it as a series of skits written in the same spirit of zany humor that pervaded the magazine itself; they enlisted Mary Rodgers, daughter of composer Richard Rodgers, to write the music; and they brought in several lyricists to create the words, including famously one Esteban Rio Nido, a nom de plume for Stephen Sondheim, whose sole contribution, “The Boy From…,” was a sly parody of the popular hit “The Girl From Ipanema,” delivered with a straight face by Linda Lavin. Others who had their own solo moments in the hilarious evening included JoAnn Worley, best known for her antics on the TV show, Rowan & Martin’s Laugh-In, and Paul Sand. The Mad Show had a long run of 871 performances.

    First LP release: January 24, 1966


    Track Listing The Mad Show – A New Musical Revue Based on MAD Magazine

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    Synopsis The Mad Show – A New Musical Revue Based on MAD Magazine

    The recorded sketches and songs of The Mad Show are self-explanatory.

    Credits The Mad Show – A New Musical Revue Based on MAD Magazine

    Linda Lavin
    MacIntyre Dixon
    Dick Libertini
    Paul Sand
    Jo Anne Worley

    Music by Mary Rodgers
    Lyrics by Marshall Barer, Larry Siegel, and Steven Vinaver
    Book by Larry Siegel and Stan Hart
    Musical Director: Sam Pottle
    Percussionist: Danny Epstein
    Production Conceived and Directed by Alfred E. Neuman

    Photos The Mad Show – A New Musical Revue Based on MAD Magazine

    Reviews for this Album

    I always have loved this album. "The Boy From ..." (with lyrics by Sondheim) is, of course, a classic, but my absolute favorite number is "The Gift of Maggie (and Others)" for its sheer irreverence and borderline lunacy at the end of the song.

    The album is rather uneven in quality and while Sondheim's "The Boy from.." is cute, the Hate Song is brilliant, whenever I hear it, I think of certain liberal politicians and their supposed hatred of incivility, except when they are the ones being uncivil.